In this exuberant and unapologetic book, Lenz makes an argument for the advantages of getting divorced, framing it as a practical and effective solution for women to take back the power they are owed. Weaving reportage with sociological research and literature with popular culture along with personal stories of coming together and breaking up, Lenz creates a kaleidoscopic and poignant portrait of American marriage today. She argues that the mechanisms of American power, justice, love, and gender equality remain deeply flawed, and that marriage, like any other cultural institution, is due for a reckoning. A raucous argument for acceptance, solidarity, and collective female refusal, This American Ex-Wife takes readers on a riveting ride—while pointing us all toward a life that is a little more free.

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In Belabored, journalist Lyz Lenz lays bare the misogynistic logic of U.S. cultural narratives about pregnancy, tracing them back to our murky, potent cultural soup of myths, from the religious to the historical. In the present she details, with her trademark blend of wit, snark, and raw intimacy, how sexist assumptions inform our expectations for pregnant people, whether we're policing them, asking them to make sacrifices with dubious or disproven benefits, or putting them up on a pedestal in an "Earth mother" role. Throughout, she reflects on her own experiences of being seen as alternately a vessel or a goddess--but hardly ever as herself--while carrying each of her two children.

Belabored is an urgent call for us to embrace new narratives around pregnancy and the choice whether or not to have children, emphasizing wholeness and agency, and to reflect those values in our laws, medicine, and interactions with each other.

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Winner of the 2019 Eos Award. In this necessary and revealing anthology, Chrissy Stroop and Lauren O’Neal collect original and previously published pieces about leaving Christianity. Examining the intersections of queerness, spiritual abuse, loss of faith, and the courage needed to leave one’s religious community, these two social critics use a diverse collection of personal essays by apostates and survivors of religious trauma to boldly address the individual experiences and systemic dysfunction so common in conservative churches. Contributions include essays from a diverse group of established and up-and-coming writers, including Garrard Conley, Lyz Lenz, Juliana Delgado Lopera, Carmen Maria Machado, Isaac Marion, Maud Newton, Julia Scheeres, Linda Tirado, and more, as well as a foreword by Frank Schaeffer, the former Christian Right leader turned trenchant critic.

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In the wake of the 2016 election, Lyz Lenz watched as her country and her marriage were torn apart by the competing forces of faith and politics. A mother of two, a Christian, and a lifelong resident of middle America, Lenz was bewildered by the pain and loss around her―the empty churches and the broken hearts. What was happening to faith in the heartland?

From drugstores in Sydney, Iowa, to skeet shooting in rural Illinois, to the mega churches of Minneapolis, Lenz set out to discover the changing forces of faith and tradition in God's country. Part journalism, part memoir, God Land is a journey into the heart of a deeply divided America. Lenz visits places of worship across the heartland and speaks to the everyday people who often struggle to keep their churches afloat and to cope in a land of instability. Through a thoughtful interrogation of the effects of faith and religion on our lives, our relationships, and our country, God Land investigates whether our divides can ever be bridged and if America can ever come together.

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In this valuable and revealing anthology, cultural critic and bestselling author Roxane Gay collects original and previously published pieces that address what it means to live in a world where women have to measure the harassment, violence, and aggression they face, and where they are “routinely second-guessed, blown off, discredited, denigrated, besmirched, belittled, patronized, mocked, shamed, gaslit, insulted, bullied” for speaking out. Contributions include essays from established and up-and-coming writers, performers, and critics, including actors Ally Sheedy and Gabrielle Union and writers Amy Jo Burns, Lyz Lenz, and Claire Schwartz. Covering a wide range of topics and experiences, from an exploration of the rape epidemic embedded in the refugee crisis to first-person accounts of child molestation, this collection is often deeply personal and is always unflinchingly honest. Like Rebecca Solnit’s Men Explain Things to Me, Not That Bad will resonate with every reader, saying “something in totality that we cannot say alone.”

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